Navigation | Intéressons nous à la prise de son batterie

Intéressons nous à la prise de son batterie

The drum set is generally considered the most difficult instrument to record well. One reason for this is that a drum kit is a hodge-podge of many instruments: typically four or more drums, a half-dozen or so cymbals, and any number of bells, blocks, and other percussion instruments. The resulting “instrument” produces a huge range of sounds. In terms of frequency alone, a drum kit can cover the entire audible spectrum, from the rib-rattling lows of a big kick drum to the shimmering, harmonic-rich highs of the cymbals. And don’t forget the snare and toms, which nicely fill out the mid-range.

The drum set is also capable of producing extremes in dynamic range: on the one end, the whisper of brushes; on the other, the potentially deafening pound of a bass drum. Add to that the challenge of integrating the sounds of so many disparate pieces. Although the drum set is considered a single instrument (based on how it is played), in terms of recording, it is considered both as one instrument and as many.

Is it any wonder, then, that the drum kit’s complex blend of sounds has given rise to so many different recording techniques? For those people trying to educate themselves about drum recording, the problem, ironically, is a glut of information: countless books, articles, and interviews, each with a different take, a different favorite microphone (typically one that is too expensive), and, of course, contradictory advice.

If that information overload has you in a pickle, you’ve come to the right place. The following “holistic” approach to recording drums simplifies the process, helping you get the best sound with the least amount of hassle (and gear). I assume you are a personal-studio operator working without an assistant rather than a professional recording engineer. You probably have only a handful of mics at your disposal, and you might be forced by space limitations to track in the same room where the recording gear is set up. No matter. This approach will help you get the most from the tools you have and capture a drum sound you can be proud of.

Intéressons nous à la prise de son batterie DrumRecMadeEasier-Fig.-1

DrumRecMadeEasier-Fig.-2

DrumRecMadeEasier-Fig.-3

DrumRecMadeEasier-Fig.-5

Le détail ICI

Par theaudiodomain le 1 février, 2009 dans Non classé

Laisser un commentaire

rockdico |
Source #1 sur P!nk |
NICKY ARTISTE |
Unblog.fr | Créer un blog | Annuaire | Signaler un abus | Please don't stop the ...
| del_dydy
| musique electro